Jewish pasts, German fictions : history, memory, and minority culture in Germany, 1824-1955 / Jonathan Skolnik.
Material type: TextSeries: Stanford studies in Jewish history and culturePublisher: Stanford, California : Stanford University Press, [2014]Copyright date: ©2014Description: 1 online resourceContent type:- text
- computer
- online resource
- 9780804790598
- 0804790590
- Jews in literature
- Jewish historical fiction, German -- History and criticism
- German fiction -- 19th century -- History and criticism
- German fiction -- 20th century -- History and criticism
- Juifs dans la littérature
- Roman allemand -- 19e siècle -- Histoire et critique
- Roman allemand -- 20e siècle -- Histoire et critique
- LITERARY CRITICISM -- European -- German
- LITERARY CRITICISM -- European -- General
- HISTORY / Jewish
- German fiction
- Jewish historical fiction, German
- Jews in literature
- 1800-1999
- 833.009/3529924 23
- PT749.J4 .S56 2014eb
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Electronic-Books | OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Print version record.
Introduction : Jewish cultural memory and the German historical novel -- Jewish history under the sign of secularization : Berthold Auerbach's Spinoza (1837) -- "Who learns history from Heine?" : Wissenschaft des Judentums and Heinrich Heine's Der Rabbi von Bacherach (1840) -- Minority culture in the age of the nation : Jewish historical fiction in nineteenth-century Germany -- German modernism and Jewish memory : Else Lasker-Schüler's Der Wunderrabbiner von Barcelona (1921) -- "Where books are burned" : Jewish memories of inquisition and expulsion in Nazi Germany and in exile -- Epilogue : post-Holocaust echoes.
Includes bibliographical references and index.
Jewish Pasts, German Fictions is the first comprehensive study of how German-Jewish writers used images from the Spanish-Jewish past to define their place in German culture and society. Jonathan Skolnik argues that Jewish historical fiction was a form of cultural memory that functioned as a parallel to the modern, demythologizing project of secular Jewish history writing. What did it imply for a minority to imagine its history in the majority language? Skolnik makes the case that the answer lies in the creation of a German-Jewish minority culture in which historical fiction.
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