Authorship and Film.

Print version record.

Cover; authorship and film; Title Page; Copyright Page; Table of Contents; acknowledgments; introduction; part one. authorship studies in review; 1. the practices of authorship; 2. authorship approaches; part two. authorship and identity in hollywood; 3. the auteur theory: michael curtiz, and casablanca; 4. i hear music and. . . darryl and irving write history with alexander's ragtime band; 5. stepping out from behind the grand silhouette: joan harrison's films of the 1940s; part three. authorship and identity near and far from hollywood.

6. intentions and mass culture: oscar micheaux, identity, and authorship7. cundieff's revision of masculinity in film, or, a ""hard"" man is not necessarily good to find; 8. john waters goes to hollywood: a poststructural authorship study; 9. len lye: reading with the body; 10. a lost man: willie varela and the american avant-garde; 11. grassroots authors: collectivity and construction in community video; part four. the author-function; 12. reframing a biographical legend: style, european filmmakers, and the sideshow cinema of tod browing; 13. robert stigwood: producer, author, text.

14. making films asian american: shopping for fangs and the discursive auteurbibliography; biographies; indexes.

First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

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