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The shape of the signifier : 1967 to the end of history / Walter Benn Michaels.

By: Material type: TextTextPublisher: Princeton, N.J. : Princeton University, [2004]Copyright date: ©2004Description: 1 online resource (224 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781400849598
  • 1400849594
Subject(s): Genre/Form: Additional physical formats: Print version:: Shape of the signifierDDC classification:
  • 801/.95/0904 22
LOC classification:
  • PS25 .M53 2004eb
Other classification:
  • 17.80
  • 18.06
  • HR 1150
  • HU 1070
  • HU 1095
  • HU 1520
Online resources:
Contents:
I: Posthistoricism -- The end of history -- Political science fictions -- Partez au vert/Go on the green -- The shape of the signifier -- The end of theory -- II: Prehistoricism -- Rocks -- And stones -- And trees -- III: Historicism -- Remembering -- Reliving -- Dismembering -- Forgetting -- Coda: empires of the senseless.
Summary: The Shape of the Signifier is a critique of recent theory--primarily literary but also cultural and political. Bringing together previously unconnected strands of Michaels's thought--from ""Against Theory"" to Our America--it anatomizes what's fundamentally at stake when we think of literature in terms of the experience of the reader rather than the intention of the author, and when we substitute the question of who people are for the question of what they believe. With signature virtuosity, Michaels shows how the replacement of ideological difference (we believe diff
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Includes bibliographical references (pages 183-212) and index.

I: Posthistoricism -- The end of history -- Political science fictions -- Partez au vert/Go on the green -- The shape of the signifier -- The end of theory -- II: Prehistoricism -- Rocks -- And stones -- And trees -- III: Historicism -- Remembering -- Reliving -- Dismembering -- Forgetting -- Coda: empires of the senseless.

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The Shape of the Signifier is a critique of recent theory--primarily literary but also cultural and political. Bringing together previously unconnected strands of Michaels's thought--from ""Against Theory"" to Our America--it anatomizes what's fundamentally at stake when we think of literature in terms of the experience of the reader rather than the intention of the author, and when we substitute the question of who people are for the question of what they believe. With signature virtuosity, Michaels shows how the replacement of ideological difference (we believe diff

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