African video movies and global desires : a Ghanaian history / Carmela Garritano.
Material type: TextSeries: Research in international studies. Africa series.Publication details: Athens : Ohio University Press, 2013.Description: 1 online resourceContent type:- text
- computer
- online resource
- 0896804844
- 9780896804845
- Video recordings -- Social aspects -- Ghana
- Video recordings -- Economic aspects -- Ghana
- Video recordings industry -- Ghana
- Vidéos -- Aspect social -- Ghāna
- Vidéos -- Aspect économique -- Ghāna
- Vidéo -- Industrie -- Ghāna
- SOCIAL SCIENCE -- General
- BUSINESS & ECONOMICS -- Industries -- Media & Communications
- TECHNOLOGY & ENGINEERING -- Telecommunications
- Video recordings industry
- Video recordings -- Social aspects
- Ghana
- Filmwirtschaft
- Videowirtschaft
- Video
- Ghana
- 384/.809667 23
- PN1992.934.G48 G37 2013
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Electronic-Books | OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
Introduction : African popular videos as global cultural forms -- Mapping the modern : the Gold Coast film unit and the Ghana film industry corporation -- Work, women, and worldly wealth : global video culture and the early years of local video production -- Professional movies and their global aspirations : the second wave of video production in Ghana -- Tourism and trafficking : views from abroad in the transnational travel movie -- Transcultural encounters and local imaginaries : Nollywood and the Ghanaian movie industry in the twenty-first century -- Conclusion.
Print version record.
This book presents a scholarly study of Ghana's commercial video industry, an industry that has produced thousands of movies over the last twenty years and has grown into an influential source of cultural production. Produced and consumed under circumstances of dire shortage and scarcity, African video movies narrate the desires and anxieties created by Africa's incorporation into the global cultural economy. Drawing on archival and ethnographic research conducted in Ghana over a ten-year period, as well as close readings of a number of individual movies, this book brings the insights of historical context as well as literary and film analysis to bear on a range of movies and the industry as a whole.
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