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Modern love and Poems of the English roadside, with poems and ballads / George Meredith ; edited by Rebecca N. Mitchell and Criscillia Benford.

By: Contributor(s): Material type: TextTextPublication details: New Haven : Yale University Press, in association with the Beinecke Rare Book and Manuscript Library, ©2012.Description: 1 online resource (xlv, 390 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780300189100
  • 0300189109
  • 9781283906470
  • 1283906473
Subject(s): Genre/Form: Additional physical formats: Print version:: Modern love and Poems of the English roadside, with poems and ballads.DDC classification:
  • 821/.8 23
LOC classification:
  • PR5008 .M6 2012eb
Online resources:
Contents:
Cover -- Contents -- List of Plates -- Note on the Text -- Acknowledgments -- List of Abbreviations -- George Meredith: A Brief Chronology -- Introduction -- Modern Love and Poems of the English Roadside, with Poems and Ballads -- Grandfather Bridgeman -- The Meeting -- Modern Love -- Roadside Philosophers -- Juggling Jerry -- The Old Chartist -- The Beggar�s Soliloquy -- The Patriot Engineer -- Poems and Ballads -- Cassandra -- The Young Usurper -- Margaret�s Bridal-Eve -- Marian -- The Head of Bran -- By Morning Twilight
Autumn Even-SongUnknown Fair Faces -- Phantasy -- Shemselnihar -- [A roar thro� the tall twin elm-trees] -- [When I would image her features] -- [I chafe at darkness in the night] -- By the Rosanna -- Ode to the Spirit of Earth in Autumn -- The Doe: A Fragment (From “Wandering Willie�) -- Contexts -- CONTEMPORARY REACTIONS -- Unsigned Review, Parthenon (1862) -- R. H. Hutton, Spectator (1862) -- J. W. Marston, Athenaeum (1862) -- A. C. Swinburne, Spectator (1862) -- Frederick Maxse, Morning Post (1862)
From Unsigned Review, Westminster Review (1862)Unsigned Review, Saturday Review (1863) -- William Sharp, from Sonnets of This Century (1886) -- Arthur Symons, from Westminster Review (1887) -- From Unsigned Review, Travelers Record (1892) -- ADVICE MANUALS AND SOCIAL COMMENTARY -- Sarah Stickney Ellis, from The Wives of England (1843) -- William Cobbett, from Advice to Young Men, and (Incidentally) to Young Women, in the Middle and Higher Ranks of Life (1862) -- John Paget, from “The English Law of Divorce� (1856) -- John Ruskin, from Sesame and Lilies (1865)
John Stuart Mill, from The Subjection of Women (1869)ON THE SENSES -- Alexander Bain, from The Senses and the Intellect (1855) -- A. B. Johnson, from The Physiology of the Senses (1856) -- George Wilson, from The Five Senses (1860) -- NINETEENTH-CENTURY POETICS -- Arthur Henry Hallam, from “On Some of the Characteristics of Modern Poetry� (1831) -- Matthew Arnold, from “Preface� to Poems (1853) -- Gerald Massey, from “Poetry�The Spasmodists� (1858) -- Henry James, from “Charles Baudelaire� (1876)
Gerard Manley Hopkins, “Author�s Preface� (1883)Gerard Manley Hopkins, Letter on “Harry Ploughman� (1887) -- OTHER POETRY -- John Keats, from “Woman! when I behold thee fl ippant, vain ... � (1817) and “On the Sea� (1817) -- Elizabeth Barrett Browning, from Sonnets from the Portuguese (1850) -- Coventry Patmore, from The Angel in the House (1854�62) -- Charles Baudelaire, “Causerie� (1857) -- Alfred, Lord Tennyson, from Maud (1859) -- Christina Rossetti, from “Monna Innominata: A Sonnet of Sonnets� (1881)
Summary: This is a collection of poetry by George Meredith from 1862 just after his wife had left him for the artist Henry Wallis.
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Includes bibliographical references and indexes.

Print version record.

This is a collection of poetry by George Meredith from 1862 just after his wife had left him for the artist Henry Wallis.

Cover -- Contents -- List of Plates -- Note on the Text -- Acknowledgments -- List of Abbreviations -- George Meredith: A Brief Chronology -- Introduction -- Modern Love and Poems of the English Roadside, with Poems and Ballads -- Grandfather Bridgeman -- The Meeting -- Modern Love -- Roadside Philosophers -- Juggling Jerry -- The Old Chartist -- The Beggar�s Soliloquy -- The Patriot Engineer -- Poems and Ballads -- Cassandra -- The Young Usurper -- Margaret�s Bridal-Eve -- Marian -- The Head of Bran -- By Morning Twilight

Autumn Even-SongUnknown Fair Faces -- Phantasy -- Shemselnihar -- [A roar thro� the tall twin elm-trees] -- [When I would image her features] -- [I chafe at darkness in the night] -- By the Rosanna -- Ode to the Spirit of Earth in Autumn -- The Doe: A Fragment (From “Wandering Willie�) -- Contexts -- CONTEMPORARY REACTIONS -- Unsigned Review, Parthenon (1862) -- R. H. Hutton, Spectator (1862) -- J. W. Marston, Athenaeum (1862) -- A. C. Swinburne, Spectator (1862) -- Frederick Maxse, Morning Post (1862)

From Unsigned Review, Westminster Review (1862)Unsigned Review, Saturday Review (1863) -- William Sharp, from Sonnets of This Century (1886) -- Arthur Symons, from Westminster Review (1887) -- From Unsigned Review, Travelers Record (1892) -- ADVICE MANUALS AND SOCIAL COMMENTARY -- Sarah Stickney Ellis, from The Wives of England (1843) -- William Cobbett, from Advice to Young Men, and (Incidentally) to Young Women, in the Middle and Higher Ranks of Life (1862) -- John Paget, from “The English Law of Divorce� (1856) -- John Ruskin, from Sesame and Lilies (1865)

John Stuart Mill, from The Subjection of Women (1869)ON THE SENSES -- Alexander Bain, from The Senses and the Intellect (1855) -- A. B. Johnson, from The Physiology of the Senses (1856) -- George Wilson, from The Five Senses (1860) -- NINETEENTH-CENTURY POETICS -- Arthur Henry Hallam, from “On Some of the Characteristics of Modern Poetry� (1831) -- Matthew Arnold, from “Preface� to Poems (1853) -- Gerald Massey, from “Poetry�The Spasmodists� (1858) -- Henry James, from “Charles Baudelaire� (1876)

Gerard Manley Hopkins, “Author�s Preface� (1883)Gerard Manley Hopkins, Letter on “Harry Ploughman� (1887) -- OTHER POETRY -- John Keats, from “Woman! when I behold thee fl ippant, vain ... � (1817) and “On the Sea� (1817) -- Elizabeth Barrett Browning, from Sonnets from the Portuguese (1850) -- Coventry Patmore, from The Angel in the House (1854�62) -- Charles Baudelaire, “Causerie� (1857) -- Alfred, Lord Tennyson, from Maud (1859) -- Christina Rossetti, from “Monna Innominata: A Sonnet of Sonnets� (1881)

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