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Blending and the study of narrative : approaches and applications / edited by Ralf Schneider, Marcus Hartner.

Contributor(s): Material type: TextTextSeries: Narratologia ; 34.Publication details: Berlin ; Boston : De Gruyter, ©2012.Description: 1 online resource (viii, 365 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9783110291230
  • 3110291231
  • 1283857243
  • 9781283857246
Subject(s): Genre/Form: Additional physical formats: Print version:: No titleDDC classification:
  • 808/.036 23
LOC classification:
  • P302.7 .B54 2012
  • P302.7
Other classification:
  • ET 790
Online resources:
Contents:
Ralf Schneider / Blending and the Study of Narrative: An Introduction -- Barbara Dancygier / Narrative Time, Sequence, and Memory: A Blending Analysis -- Todd Oakley / Vera Tobin / Attention, Blending, and Suspense in Classic and Experimental Film -- Marcus Hartner / Constructing Literary Character and Perspective: An Approach from Psychology and Blending Theory -- Hilary Dannenberg / Fleshing Out the Blend: The Representation of Counterfactuals in Alternate History in Print, Film, and Television Narratives -- Michael Sinding / Blending in a baciyelmo: Don Quixote's Genre Blending and the Invention of the Novel -- Erwin Feyersinger / The Conceptual Integration Network of Metalepsis -- Christian Quendler / The Conceptual Integration of Intermediality: Literary and Cinematic Camera-Eye Narratives -- Jennifer Riddle Harding / Metaphors, Narrative Frames, and Cognitive Distance in Charles Chesnutt's "Dave's Neckliss" -- Sarah Copeland / Conceptual Blending in The Waves: "A Mind Thinking" -- Erik Redling / Blending and Jazz Narratives: Conceptual Integration of Music and Verbal Meaning in Eudora Welty's "Powerhouse" -- Christoper D. Kilgore / "Allways our rush returning renewed": Time, Narrative, and Conceptual Blending in Danielewski's Only Revolutions -- Craig Hamilton / The Conceptual Blending of Time and Space: Milan Kundera's Slowness -- Amy Cook / The Narrative of Nothing: The Mathematical Blends of Narrator and Hero in Shakespeare's Henry V.
Summary: Blending theory, or Conceptual Integration, is arguably one of the most promising recent cognitive theories. While the concept has been applied to the analysis of poetic discourse and micro-textual elements, it has hardly figured in the field of narratology so far. This volume aims to demonstrate how the study of narrative in prose fiction and film can profit from the application of Blending theory. It explores a variety of aspects situated at the intersection of narratology and the cognitive sciences.
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Includes bibliographical references.

Ralf Schneider / Blending and the Study of Narrative: An Introduction -- Barbara Dancygier / Narrative Time, Sequence, and Memory: A Blending Analysis -- Todd Oakley / Vera Tobin / Attention, Blending, and Suspense in Classic and Experimental Film -- Marcus Hartner / Constructing Literary Character and Perspective: An Approach from Psychology and Blending Theory -- Hilary Dannenberg / Fleshing Out the Blend: The Representation of Counterfactuals in Alternate History in Print, Film, and Television Narratives -- Michael Sinding / Blending in a baciyelmo: Don Quixote's Genre Blending and the Invention of the Novel -- Erwin Feyersinger / The Conceptual Integration Network of Metalepsis -- Christian Quendler / The Conceptual Integration of Intermediality: Literary and Cinematic Camera-Eye Narratives -- Jennifer Riddle Harding / Metaphors, Narrative Frames, and Cognitive Distance in Charles Chesnutt's "Dave's Neckliss" -- Sarah Copeland / Conceptual Blending in The Waves: "A Mind Thinking" -- Erik Redling / Blending and Jazz Narratives: Conceptual Integration of Music and Verbal Meaning in Eudora Welty's "Powerhouse" -- Christoper D. Kilgore / "Allways our rush returning renewed": Time, Narrative, and Conceptual Blending in Danielewski's Only Revolutions -- Craig Hamilton / The Conceptual Blending of Time and Space: Milan Kundera's Slowness -- Amy Cook / The Narrative of Nothing: The Mathematical Blends of Narrator and Hero in Shakespeare's Henry V.

Blending theory, or Conceptual Integration, is arguably one of the most promising recent cognitive theories. While the concept has been applied to the analysis of poetic discourse and micro-textual elements, it has hardly figured in the field of narratology so far. This volume aims to demonstrate how the study of narrative in prose fiction and film can profit from the application of Blending theory. It explores a variety of aspects situated at the intersection of narratology and the cognitive sciences.

English.

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