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Treasuring the gaze : intimate vision in late eighteenth-century eye miniatures / Hanneke Grootenboer.

By: Material type: TextTextPublisher: Chicago : University of Chicago Press, 2012Copyright date: ©2012Description: 1 online resource (xvii, 223 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780226309712
  • 0226309711
Subject(s): Genre/Form: Additional physical formats: Print version:: Treasuring the gaze.DDC classification:
  • 757/.7 23
LOC classification:
  • N8217.E9 G76 2012eb
Online resources:
Contents:
Introduction: An overlooked episode in vision's history -- 1. Intimate vision: the portrait miniature's structure of address -- 2. Gazing games: eye portraits and the two sexes of sight -- 3. The crying image: the withdrawal of the gaze -- 4. Intimate as extimate: the gaze as part-object -- 5. The face becoming eye: portraiture's minimum -- Conclusion: The eye portrait's afterlife.
Summary: The end of the eighteenth century saw the start of a new craze in Europe: tiny portraits of single eyes that were exchanged by lovers or family members. Worn as brooches or pendants, these minuscule eyes served the same emotional need as more conventional mementoes, such as lockets containing a coil of a loved one's hair. The fashion lasted only a few decades, and by the early 1800s eye miniatures had faded into oblivion. Unearthing these portraits in Treasuring the Gaze, Hanneke Grootenboer proposes that the rage for eye miniatures-and their abrupt disappearance-reveals a knot in.
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Includes bibliographical references and index.

Print version record.

Introduction: An overlooked episode in vision's history -- 1. Intimate vision: the portrait miniature's structure of address -- 2. Gazing games: eye portraits and the two sexes of sight -- 3. The crying image: the withdrawal of the gaze -- 4. Intimate as extimate: the gaze as part-object -- 5. The face becoming eye: portraiture's minimum -- Conclusion: The eye portrait's afterlife.

The end of the eighteenth century saw the start of a new craze in Europe: tiny portraits of single eyes that were exchanged by lovers or family members. Worn as brooches or pendants, these minuscule eyes served the same emotional need as more conventional mementoes, such as lockets containing a coil of a loved one's hair. The fashion lasted only a few decades, and by the early 1800s eye miniatures had faded into oblivion. Unearthing these portraits in Treasuring the Gaze, Hanneke Grootenboer proposes that the rage for eye miniatures-and their abrupt disappearance-reveals a knot in.

English.

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