The neuro-image : a Deleuzian film-philosophy of digital screen culture / Patricia Pisters.
Material type: TextSeries: Cultural memory in the presentPublication details: Stanford, California : Stanford University Press, 2012.Description: 1 online resource (x, 370 pages)Content type:- text
- computer
- online resource
- 9780804782845
- 0804782849
- Deleuze, Gilles, 1925-1995
- Deleuze, Gilles, 1925-1995
- Digital media -- Philosophy
- Digital media -- Psychological aspects
- Motion pictures -- History -- 21st century
- Motion pictures -- Philosophy
- Motion pictures -- Psychological aspects
- Neurosciences and motion pictures
- Médias numériques -- Philosophie
- Médias numériques -- Aspect psychologique
- Cinéma -- Histoire -- 21e siècle
- Neurosciences et cinéma
- PERFORMING ARTS -- Reference
- Digital media -- Philosophy
- Motion pictures
- Motion pictures -- Philosophy
- Motion pictures -- Psychological aspects
- Neurosciences and motion pictures
- 2000-2099
- 791.4301 23
- PN1995 .P534 2012eb
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Electronic-Books | OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
Schizoid minds, delirium cinema and powers of machines of the invisible -- Illusionary perception and powers of the false -- Surveillance screens and powers of affect -- Signs of time : metaphysics of the brain-screen -- Degrees of belief : epistemology of probabilities -- Expressions of creation : aesthetics of material-force -- The open archive : cinema as world-memory -- Divine in(ter)vention : micropolitics and resistance -- Logistics of perception 2.0 : multiple screens as affective weapons.
Arguing that today's viewers move through a character's brain instead of looking through his or her eyes or mental landscape, this book approaches twenty-first-century globalized cinema through the concept of the "neuro-image." Pisters explains why this concept has emerged now, and she elaborates its threefold nature through research from three domains--Deleuzian (schizoanalytic) philosophy, digital networked screen culture, and neuroscientific research. These domains return in the book's tripartite structure. Part One, on the brain as "neuroscreen," suggests rich connections between film theor.
English.
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