Hearing the hurt : rhetoric, aesthetics, and politics of the New Negro Movement / Eric King Watts.
Material type:
TextSeries: Rhetoric, culture, and social critiquePublication details: Tuscaloosa : University of Alabama Press, 2012.Description: 1 online resource (257 pages)Content type: - text
- computer
- online resource
- 9780817386160
- 0817386165
- 9780817317669
- 081731766X
- African Americans -- Intellectual life -- 20th century
- Harlem Renaissance
- African Americans -- Race identity -- History -- 20th century
- American literature -- African American authors -- History and criticism
- African Americans -- Politics and government -- 20th century
- Noirs américains -- Vie intellectuelle -- 20e siècle
- Harlem Renaissance
- Noirs américains -- Identité ethnique -- Histoire -- 20e siècle
- Noirs américains -- Politique et gouvernement -- 20e siècle
- Harlem Renaissance
- SOCIAL SCIENCE -- Ethnic Studies -- African American Studies
- African Americans -- Intellectual life
- African Americans -- Politics and government
- African Americans -- Race identity
- American literature -- African American authors
- Harlem Renaissance
- 1900-1999
- 973/.0496073
- E185.89.I56W37 2012
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Print version record.
Acknowledgments; Introduction; 1. "Hearing the Hurt"; 2. "Of Beauty and Death": W.E.B. Du Bois's Darkwater; 3. "The Last and Best Gift of Africa": Du Bois, Dewey, and a Black Public; 4. "Negro Youth Speaks": Alain Locke and The New Negro; 5. "A Lampblacked Anglo-Saxon": George Schuyler and Langston Hughes in the Nation; 6. "All Art Is Propaganda": The Politics of a New Negro Aesthetics; 7. "Paul's Committed Suicide": A Utopist Tragedy in Wallace Thurman's Infants of the Spring; 8. "You Mean You Don't Want Me, 'Rene?": Anxiety, Desire, and Madness in Nella Larsen's Passing.
Hearing the Hurt is an examination of how the New Negro movement, also k.
Includes bibliographical references (pages 234-243) and index.
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