Structure, audience and soft power in East Asian pop culture / Chua Beng Huat.
Material type: TextSeries: TransAsia--screen culturesCopyright date: ©2012Description: 1 online resource (xiii, 183 pages)Content type:- text
- computer
- online resource
- 9789882208759
- 9882208754
- 1283578069
- 9781283578066
- 9789882208704
- 9882208703
- Popular culture -- East Asia
- Popular culture -- Singapore
- Culture diffusion -- East Asia
- Mass media and culture -- East Asia
- Mass media -- Political aspects -- East Asia
- Politics and culture -- East Asia
- Consumption (Economics) -- East Asia
- Chinese -- Foreign countries -- Social life and customs -- 21st century
- Chinese -- Foreign countries -- Intellectual life -- 21st century
- Culture populaire -- Singapour
- Chinois -- Pays étrangers -- Mœurs et coutumes -- 21e siècle
- Chinois -- Pays étrangers -- Vie intellectuelle -- 21e siècle
- POLITICAL SCIENCE -- Public Policy -- Cultural Policy
- SOCIAL SCIENCE -- Anthropology -- Cultural
- SOCIAL SCIENCE -- Popular Culture
- SOCIAL SCIENCE -- Minority Studies
- Consumption (Economics)
- Culture diffusion
- Mass media and culture
- Mass media -- Political aspects
- Politics and culture
- Popular culture
- East Asia
- Singapore
- 2000-2099
- 306.095 23
- DS509.3 .C49 2012eb
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Electronic-Books | OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references (pages 165-176) and index.
1. East Asian Pop Culture -- 2. Pop Culture China -- 3. Taiwan's Present/Singapore's Past Mediated by the Hokkien Language -- 4. Placing Singapore in East Asian Pop Culture -- 5. The Structure of Identification and Distancing in Watching East Asian Television Drama -- 6. Layers of Audience Communities -- 7. Pop Culture as Soft Power -- Conclusion -- Notes -- References -- Index.
In this book, the author examines East Asian pop culture as an integrated regional cultural economy that combines Japanese and Korean pop culture with the distribution and reception networks of Chinese language pop culture. The book provides detailed analysis of the fragmented reception process of transcultural audiences and the processes of audiences' formation and exercise of consumer power and engagement with national politics. It will appeal to scholars and students as well as general readers who are interested in media and cultural studies.
Print version record.
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