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European heritage a critical re-interpretation by Gerard Delanty.

By: Material type: TextTextPublication details: New York Routledge 2018Description: ix,230pISBN:
  • 9781138038721
Subject(s): DDC classification:
  • 303.482094 23 DE-E
LOC classification:
  • CB203 .D37 2018
Contents:
Introduction: The past in the present, part I : making sense of a transnational world -- Transnationalism in historical and sociological analysis -- Modernity and the plurality of Europe -- Europe unbounded : critical cosmopolitanism and the problem of Eurocentrism, part II : encounters, routes, transfers and entanglements -- Cultural encounters and European civilisation -- Europe and modernity as reference cultures -- The making of European society and the entanglement of capitalism and democracy -- The legacy of European integration : Europe in the world, part III : looking to the future -- Solidarity as a political legacy for Europe today -- Making sense of Brexit : a divided nation in a divided Europe -- Europe beyond the crisis : re-inventing the European heritage I : making sense of a transnational world.
Scope and content: "Gerard Delanty offers a critical interpretation of the European heritage today in light of recent developments in the human and social sciences, and in view of a mood of crisis in Europe that compels us to re-think the European past. One of the main insights informing this book is that a transnational and global perspective on European history can reorient the European heritage in a direction that offers a more viable way for contemporary Europe to articulate an intercultural identity in keeping with the emerging shape of Europe, and with its own often acknowledged past. He argues that the European heritage is based less on a universalistic conception of culture than on a plurality of interconnecting narratives, and the inclusion of new voices and is being forged in new spaces of critical dialogue. Such a perspective opens up new directions for scholarship and public debate on heritage that are guided by critical cosmopolitan considerations that highlight contention, resistances, competition and dissonance. He argues that the specificity of the European dimension of culture is in the entanglement of many cultures rather than in an original culture. The cultures of Europe are not separated but have been shaped in close interaction with each other and with the non-European world. Nations are not therefore unique, exceptional or fundamentally different from each other. The outcome of such intermingling is a multiplicity of ideas of Europe that serve as shared cultural reference points"--Provided by publisher.
Item type: Print
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Print Print OPJGU Sonepat- Campus General Books Main Library 303.482094 DE-E (Browse shelf(Opens below)) Available 140697

Includes bibliographical references.

Introduction: The past in the present, part I : making sense of a transnational world -- Transnationalism in historical and sociological analysis -- Modernity and the plurality of Europe -- Europe unbounded : critical cosmopolitanism and the problem of Eurocentrism, part II : encounters, routes, transfers and entanglements -- Cultural encounters and European civilisation -- Europe and modernity as reference cultures -- The making of European society and the entanglement of capitalism and democracy -- The legacy of European integration : Europe in the world, part III : looking to the future -- Solidarity as a political legacy for Europe today -- Making sense of Brexit : a divided nation in a divided Europe -- Europe beyond the crisis : re-inventing the European heritage I : making sense of a transnational world.

"Gerard Delanty offers a critical interpretation of the European heritage today in light of recent developments in the human and social sciences, and in view of a mood of crisis in Europe that compels us to re-think the European past. One of the main insights informing this book is that a transnational and global perspective on European history can reorient the European heritage in a direction that offers a more viable way for contemporary Europe to articulate an intercultural identity in keeping with the emerging shape of Europe, and with its own often acknowledged past. He argues that the European heritage is based less on a universalistic conception of culture than on a plurality of interconnecting narratives, and the inclusion of new voices and is being forged in new spaces of critical dialogue. Such a perspective opens up new directions for scholarship and public debate on heritage that are guided by critical cosmopolitan considerations that highlight contention, resistances, competition and dissonance. He argues that the specificity of the European dimension of culture is in the entanglement of many cultures rather than in an original culture. The cultures of Europe are not separated but have been shaped in close interaction with each other and with the non-European world. Nations are not therefore unique, exceptional or fundamentally different from each other. The outcome of such intermingling is a multiplicity of ideas of Europe that serve as shared cultural reference points"--Provided by publisher.

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