The importance of being Earnest
Asquith,Anthony
The importance of being Earnest videorecording Container title: Anthony Asquith's The importance of being Earnest British Film Makers, ltd. : an Anthony Asquith production - Los Angeles, Calif. Janus Films distributed by Voyager Co c2002 - 1 videodisc (95 min.) sd., col 4 3/4 in - Criterion collection 158 . - Criterion collection (DVD videodiscs) .
Based on the play by Oscar Wilde. Originally released as a motion picture in 1952.
The Importance of Being Earnest is a 2002 British-American romantic comedy-drama film directed by Oliver Parker, based on Oscar Wilde's classic 1895 comedy of manners of the same name. It is a farcical comedy in which the protagonists maintain fictitious personae to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage, and the resulting satire of Victorian ways. The play opens with Algernon Moncrieff, an idle young gentleman, receiving his best friend, Jack Worthing. Ernest has come from the country to propose to Algernon's cousin, Gwendolen Fairfax. Algernon refuses to consent until Ernest explains why his cigarette case bears the inscription, "From little Cecily, with her fondest love to her dear Uncle Jack." 'Ernest' is forced to admit to living a double life. In the country, he assumes a serious attitude for the benefit of his young ward, the heiress Cecily Cardew, and goes by the name of Jack, while pretending that he must worry about a wastrel younger brother named Ernest in London. In the city, meanwhile, he assumes the identity of the libertine Ernest. Algernon confesses a similar deception: he pretends to have an invalid friend named Bunbury in the country, whom he can "visit" whenever he wishes to avoid an unwelcome social obligation. Jack refuses to tell Algernon the location of his country estate. Gwendolen and her formidable mother Lady Bracknell now call on Algernon who distracts Lady Bracknell in another room while Jack proposes to Gwendolen. She accepts, but seems to love him in large part because of his name, Ernest. Jack accordingly resolves to himself to be rechristened "Ernest". Discovering them in this intimate exchange, Lady Bracknell interviews Jack as a prospective suitor. Horrified to learn that he was adopted after being discovered as a baby in a handbag at Victoria Station, she refuses him and forbids further contact with her daughter. Gwendolen manages to covertly promise to him her undying love. As Jack gives her his address in the country, Algernon surreptitiously notes it on the cuff of his sleeve: Jack's revelation of his pretty and wealthy young ward has motivated his friend to meet her.
Director, Anthony Asquith ; producer, Teddy Baird ; director of photography, Desmond Dickinson ; film editor, John G. Guthridge ; music, Benjamin Frankel. Director, Anthony Asquith ; producer, Teddy Baird ; director of photography, Desmond Dickinson ; film editor, John G. Guthridge ; music, Benjamin Frankel.
Michael Redgrave, Michael Denison, Margaret Rutherford, Edith Evans, Dorothy Tutin, Joan Greenwood.
DVD.
Closed captioned.
Feature films, Comedy films, Film adaptations, Romantic comedy-drama film, Motion pictures - British, Social life and customs, 19th century – drama, Foreign films.
791.4372 / IM
The importance of being Earnest videorecording Container title: Anthony Asquith's The importance of being Earnest British Film Makers, ltd. : an Anthony Asquith production - Los Angeles, Calif. Janus Films distributed by Voyager Co c2002 - 1 videodisc (95 min.) sd., col 4 3/4 in - Criterion collection 158 . - Criterion collection (DVD videodiscs) .
Based on the play by Oscar Wilde. Originally released as a motion picture in 1952.
The Importance of Being Earnest is a 2002 British-American romantic comedy-drama film directed by Oliver Parker, based on Oscar Wilde's classic 1895 comedy of manners of the same name. It is a farcical comedy in which the protagonists maintain fictitious personae to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage, and the resulting satire of Victorian ways. The play opens with Algernon Moncrieff, an idle young gentleman, receiving his best friend, Jack Worthing. Ernest has come from the country to propose to Algernon's cousin, Gwendolen Fairfax. Algernon refuses to consent until Ernest explains why his cigarette case bears the inscription, "From little Cecily, with her fondest love to her dear Uncle Jack." 'Ernest' is forced to admit to living a double life. In the country, he assumes a serious attitude for the benefit of his young ward, the heiress Cecily Cardew, and goes by the name of Jack, while pretending that he must worry about a wastrel younger brother named Ernest in London. In the city, meanwhile, he assumes the identity of the libertine Ernest. Algernon confesses a similar deception: he pretends to have an invalid friend named Bunbury in the country, whom he can "visit" whenever he wishes to avoid an unwelcome social obligation. Jack refuses to tell Algernon the location of his country estate. Gwendolen and her formidable mother Lady Bracknell now call on Algernon who distracts Lady Bracknell in another room while Jack proposes to Gwendolen. She accepts, but seems to love him in large part because of his name, Ernest. Jack accordingly resolves to himself to be rechristened "Ernest". Discovering them in this intimate exchange, Lady Bracknell interviews Jack as a prospective suitor. Horrified to learn that he was adopted after being discovered as a baby in a handbag at Victoria Station, she refuses him and forbids further contact with her daughter. Gwendolen manages to covertly promise to him her undying love. As Jack gives her his address in the country, Algernon surreptitiously notes it on the cuff of his sleeve: Jack's revelation of his pretty and wealthy young ward has motivated his friend to meet her.
Director, Anthony Asquith ; producer, Teddy Baird ; director of photography, Desmond Dickinson ; film editor, John G. Guthridge ; music, Benjamin Frankel. Director, Anthony Asquith ; producer, Teddy Baird ; director of photography, Desmond Dickinson ; film editor, John G. Guthridge ; music, Benjamin Frankel.
Michael Redgrave, Michael Denison, Margaret Rutherford, Edith Evans, Dorothy Tutin, Joan Greenwood.
DVD.
Closed captioned.
Feature films, Comedy films, Film adaptations, Romantic comedy-drama film, Motion pictures - British, Social life and customs, 19th century – drama, Foreign films.
791.4372 / IM